PERFORMING ARTS

As a theatre director, Paspawisa’s theatre practice creates imaginative worlds that move beyond conventional stages and boundaries. Through directing, collaboration, and theatrical thinking, Paspawisa explores what it means to be alive in a contemporary era saturated with definition, in which labels are overused, meanings become unstable, and we become uncertain about life.

2026

Taladthai Mansion
A Stupidly Romantic Fruit Musical
Impact Arena, Bangkok, 2026

Created for Club 30 concert, this absurdist musical transforms Jeff Satur, Nont Tanont, Ink Waruntorn, Bowkylion, and The Toys into dragonfruit, banana, strawberry, grape, and durian. Inspired by addictive TikTok fruit dramas, it asks why Thai society becomes emotionally invested in meaningless conflicts, instant judgments, and endlessly toxic, surreal relationships. Romance collapses into jealousy, mistaken identities, and proudly brainless decisions, while songs, costumes, and choreography amplify the chaos. Breaking the fourth wall, the fruits confront spectators about their hunger for love and blind attachment. Stylized and knowingly stupid, this theatrical piece turns viral obsession into a mirror of media culture in 2026.

Faratalk
Humans of Science
Paragon Hall, Bangkok, 2026

FaraTalk: Human of Science is an interdisciplinary performance transforming scientific knowledge into theatrical experience. Combining variety talk-show formats with immersive visuals, comedy, dramatic staging, and musical theatre, it creates a new language for edutainment. Topics including antimicrobial resistance, governance, geography, mapmaking, algorithms, coding, animal reproduction, and marching shrimp become lenses for examining modern society. Each speaker revealed connections between science, public policy, inequality, collective responsibility, and everyday life. Beyond entertainment, the work questions power structures, builds civic awareness, and calls for government reform in education, social security, scientific research, and public health.